http://roundtable.kein.org/ this is the V2V video syndication newsfeed for the distribution of high resolution video material through P2P-networks V2V video syndication network V2V This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. 'Learning from Architecture" posits the assumption that rather than learning about architecture, it could be an methodology through which we could learn about that which lies beyond it. A debate featuring Nikolaus Hirsch, Eyal Weizman, John Palmesino, Aristide Antonas, Sandi Hilal, Alessandro Petti, Jesko Jezer and more... 2007-07-20T20:55+00:00 en 2007 kein.tv info@kein.org http://summit.kein.org 385085080 01:46:40 Ogg Theora http://roundtable.kein.org/v2v/show/WSVH7ADTHUQHODEA7ZWL33L7ZVCTZKID ed2k://|file|learning_from_architecture.ogg|385085080|91fc6c114ab53b1d3a880657b808a9d5| magnet:?dn=learning_from_architecture.ogg&xt=urn%3Asha1%3AWSVH7ADTHUQHODEA7ZWL33L7ZVCTZKID http://roundtable.kein.org/files/roundtable/torrents/learning_from_architecture.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Fragments of a radical pedagogy: The third session of Urgent Thought features contributions by Oliver Marchart, Jan Verwoert and Dieter Lesage. It was recorded at the third day of SUMMIT non-aligned initiatives in education culture. 2007-07-18T12:14+00:00 en 2007 kein.tv info@kein.tv http://summit.kein.org 185788304 00:46:13 Ogg Theora http://roundtable.kein.org/v2v/show/JHD6QVJHN3CBWPIH5DMZS5BSR4NL3J5Y ed2k://|file|urgentthought3.ogg|185788304|60ed73c29e725c7284ddea0a2953c7c0| magnet:?dn=urgentthought3.ogg&xt=urn%3Asha1%3AJHD6QVJHN3CBWPIH5DMZS5BSR4NL3J5Y http://roundtable.kein.org/files/roundtable/torrents/urgentthought3.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Fragments of a radical pedagogy: The second session of Urgent Thought features contributions by Jeebesh Bagchi, Franco Berardi, Angela Melitopoulos. It was recorded at the second day of SUMMIT non-aligned initiatives in education culture. 2007-06-21T03:39+00:00 en 2007 KEIN.TV info@kein.tv http://summit.kein.org 72273638 00:24:50 Ogg Theora http://roundtable.kein.org/v2v/show/CJDIYICPVNDJUPD5Y7ILF643WWT4P7ER ed2k://|file|urgentthought2.ogg|72273638|3b6cb7ca86f1f9abffe8ed6888f4520f| magnet:?dn=urgentthought2.ogg&xt=urn%3Asha1%3ACJDIYICPVNDJUPD5Y7ILF643WWT4P7ER http://roundtable.kein.org/files/roundtable/torrents/urgentthought2.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The first History Lesson at SUMMIT non-aligned initiatives in education culture featured a conversation between John Akomfrah and Kodwo Eshun. Black Audio Film Collective was founded at Portsmouth Polytechnic in 1982 by sociology, fine art and psychology students John Akomfrah, Reece Auguiste, Edward George, Lina Gopaul, Avril Johnson, Claire Joseph and Trevor Mathison. The group who later relocated to London produced some of the most influential films and videos of recent times before formerly dissolving in 1988. Despite its currency the group's work owes little to the present; it is singular, it inhabits a dimension of timely untimeliness. 2007-06-05T21:01+00:00 en 2007 kein.tv info@kein.org http://summit.kein.org 260756626 01:36:04 Ogg Theora http://roundtable.kein.org/v2v/show/HNJZNJJGGE5EH2PQGAWR6XHLK3APF26B ed2k://|file|blackaudio.ogg|260756626|9e736d3e66525c446b5799785c1ff250| magnet:?dn=blackaudio.ogg&xt=urn%3Asha1%3AHNJZNJJGGE5EH2PQGAWR6XHLK3APF26B http://roundtable.kein.org/files/roundtable/torrents/blackaudio.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Fragments of a radical pedagogy: The first session of Urgent Thought features contributions by Avery Gordon, Munir Fasheh, Ana Vujanovic. It was recorded at the first day of SUMMIT non-aligned initiatives in education culture. 2007-06-04T03:27+00:00 en 2007 KEIN TV info@kein.org http://summit.kein.org 202892437 01:04:35 Ogg Theora http://roundtable.kein.org/v2v/show/KYXWH3G7X7MPXTIJ2MFT2GYBSX6JOXEF ed2k://|file|urgentthought1.ogg|202892437|31976edfbd764cd938428a5710af18e8| magnet:?dn=urgentthought1.ogg&xt=urn%3Asha1%3AKYXWH3G7X7MPXTIJ2MFT2GYBSX6JOXEF http://roundtable.kein.org/files/roundtable/torrents/urgentthought1.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Giorgio Agamben, renowned philosopher, engages in particular with language and social conflicts, teaches at the Universita IUAV di Venezia, College International de Philosophie, Paris. Among his books are: Homo Sacer: Sovereign Power and Bare Life, Remnants of Auschwitz: The Witness and the Archive and The Open: Man and Animal. His most recent works are: State of Exception, and The Time that Remains: A Commentary on the Letter to the Romans. Talk by Giorgio Agamben 2007-02-14T11:36+00:00 en 2007 sarai iram@sarai.net http://sarai.net 105494259 00:53:56 Ogg Theora http://roundtable.kein.org/v2v/show/MU37NGYDV4DNGBESGGHOETU2NPMZP56W ed2k://|file|Giorgio_Agamben.ogg|105494259|4669199c3d3e01e820d2bda5d62235e8| magnet:?dn=Giorgio_Agamben.ogg&xt=urn%3Asha1%3AMU37NGYDV4DNGBESGGHOETU2NPMZP56W http://roundtable.kein.org/files/roundtable/torrents/Giorgio_Agamben.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, October 13, 2006 Der Begriff der "Entwurzelung" orientiert sich an dem von Pierre Bourdieu gewählten Begriff "Déracinement / Uprooting", der gleichzeitig den Titel eines von ihm in Zusammenarbeit mit Abdelmalek Sayad 1964 veröffentlichten Buches bildet. Gegenstand dieser Studie sind die tiefgreifenden gesellschaftlichen Auswirkungen der französischen Kolonialpolitik (seit 1830) und des Unabhängigkeitskrieges (1954-1962) auf die algerische Bevölkerung. Vor allem die Umsiedlung großer Bevölkerungsgruppen insbesondere im ländlichen Raum in die Centres de regroupement, von der über 2 Millionen Algerier (ein Viertel der Gesamtbevölkerung) betroffen waren, ist eine der brutalsten Vorgänge dieser Art der Geschichte und wurde von Bourdieu/Sayad in ihrer Studie exemplarisch analysiert 2006-10-15T01:39+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 42959709 00:23:00 Ogg Theora http://roundtable.kein.org/v2v/show/7F5INWDETP4I4AVOJMLK5X73FRWMMW3H ed2k://|file|v2v_wdk_Deracinement_Christine_Frisinghelli.ogg|42959709|d6081f8b4fce4540a6ab594b95f1ca6b| magnet:?dn=v2v_wdk_Deracinement_Christine_Frisinghelli.ogg&xt=urn%3Asha1%3A7F5INWDETP4I4AVOJMLK5X73FRWMMW3H http://roundtable.kein.org/files/roundtable/torrents/v2v_wdk_Deracinement_Christine_Frisinghelli.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. This panel with Irit Rogoff and Lawrence Liang, moderated by Florian Schneider, took place on Oktober 11th 2006 in the context of the Workshop on "Collaboration". The Workshop took place at the Steirischer Herbst, from Oktober 7th - 13th 2006 and discussed and explored different notions on collaboration. 2006-10-12T15:49+00:00 en 2006 KEIN TV multitude@kein.org http://kein.org/collaboration 278940834 01:34:54 Ogg Theora http://roundtable.kein.org/v2v/show/PNNWOTJSUFPCL3QP7X3RDU4XVUTPFWDI ed2k://|file|collaboration.ogg|278940834|5b91819f7d56397ffedbc36e285d2eb2| magnet:?dn=collaboration.ogg&xt=urn%3Asha1%3APNNWOTJSUFPCL3QP7X3RDU4XVUTPFWDI http://roundtable.kein.org/files/roundtable/torrents/collaboration.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, July 22 2006 Eyal Weizman, israeli architect is going to formulate an "exergue" that will deal with the actual situation and build a connection to the first edition in Frankfurt. 2006-07-23T15:20+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 122446492 00:46:10 Ogg Theora http://roundtable.kein.org/v2v/show/ACDR6ZBORDHFTR2TKBJYYPBPTSHECILO ed2k://|file|v2v_wdk_Exergue_Eyal_Weizman.ogg|122446492|539024bd8f49ce70cf844afceef983eb| magnet:?dn=v2v_wdk_Exergue_Eyal_Weizman.ogg&xt=urn%3Asha1%3AACDR6ZBORDHFTR2TKBJYYPBPTSHECILO http://roundtable.kein.org/files/roundtable/torrents/v2v_wdk_Exergue_Eyal_Weizman.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, June 3 19:00 - 19:20 Proposal for a theatre of operations for the dictionary of war. Drawing package, references, materials. "It was recognized that the chronologic development of these elements would vary from theater to theater. In theaters where a long buildup period was possible, a fairly elaborate system of communications zone sections or bases would develop well in advance of the rest of the theater elements." 2006-06-06T00:35+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 25383928 00:13:43 Ogg Theora http://roundtable.kein.org/v2v/show/UD2AAQNFBLOXWGF6HFPBSSBNKCSVFXA3 ed2k://|file|v2v_wdk_Theatre_of_Operations_Celine_Condorelli.ogg|25383928|45bf0d6b84809ea4db2d27cb4dd00789| magnet:?dn=v2v_wdk_Theatre_of_Operations_Celine_Condorelli.ogg&xt=urn%3Asha1%3AUD2AAQNFBLOXWGF6HFPBSSBNKCSVFXA3 http://roundtable.kein.org/files/roundtable/torrents/v2v_wdk_Theatre_of_Operations_Celine_Condorelli.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, June 3 15:30 - 16:00 Two points seem to be particularly interesting when we think of neutrality as a mean to manage postcocolonial, ethnic, racial, gender, political, social, military, technological, cultural transitions, as a dispositf of change of the contemporary space, tuned to balance the conflictual forces that flare up in almost every human settlement. First of all, in constructing an overview of contemporary human settlements, we are thinking of a world without borders, a world whose parts have become increasingly plugged into each other, and which today is completely cordless at every turn, in which we have migrations of an endless kind almost at every point of the world. The second point is that the implementation of this borderless world is accompanied by an intermingled and entangled overlapping of logistic supply networks, buffer zones, enclaves, extraterritorial bases. Wherever these transitions are occurring, new principles have been theorised to examine the nature of war and contemporary transformation processes. Today, not to have a policy, not to stand for something, not to take part, not to participate, to be a-political is becoming more and more a difficult, contrasted, almost immoral condition. Yet it might be in these very difficulties that to be neutral acquires a novel significance. 2006-06-06T00:27+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 41777084 00:22:16 Ogg Theora http://roundtable.kein.org/v2v/show/MQWDSDMGKVVWWYEG5F4A3SIVXFKGZAW2 ed2k://|file|v2v_wdk_Neutrality_John_Palmesino.ogg|41777084|b162e4f7d6243d4a2c7ff3ec8ec01da7| magnet:?dn=v2v_wdk_Neutrality_John_Palmesino.ogg&xt=urn%3Asha1%3AMQWDSDMGKVVWWYEG5F4A3SIVXFKGZAW2 http://roundtable.kein.org/files/roundtable/torrents/v2v_wdk_Neutrality_John_Palmesino.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, June 3 15:00 - 15:30 On NATO's misunderstanding of cultural history and its effects on the decision to bomb certain buildings in Belgrade. 2006-06-06T00:25+00:00 2006 DICTIONARY OF WAR http://dictionaryofwar.org 59038685 00:37:55 Ogg Theora http://roundtable.kein.org/v2v/show/YA33MLKAMVFZ75BQY37FZOCLELNDUWPR ed2k://|file|v2v_wdk_NATO_Srdjan_Jovanovic_Weiss_+_Katherine_Carl.ogg|59038685|801cd7a39ac311970dae0feef017607f| magnet:?dn=v2v_wdk_NATO_Srdjan_Jovanovic_Weiss_%2B_Katherine_Carl.ogg&xt=urn%3Asha1%3AYA33MLKAMVFZ75BQY37FZOCLELNDUWPR http://roundtable.kein.org/files/roundtable/torrents/v2v_wdk_NATO_Srdjan_Jovanovic_Weiss_+_Katherine_Carl.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, June 2 17:30 - 17:55 "Conflicted/Inflicted" is a video based upon a found telephone answering machine tape belonging to someone named Linda. As we listen to the audio, the crisis and tensions in her life are slowly revealed. 2006-06-06T00:16+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 43833685 00:20:50 Ogg Theora http://roundtable.kein.org/v2v/show/FZFYY2ZASISYHEHSNZMCLEAUQIB6OLAX ed2k://|file|v2v_wdk_Conflicted_Inflicted_Susan_Schuppli.ogg|43833685|8846c3d7b1be871bdaf1fbff13786116| magnet:?dn=v2v_wdk_Conflicted_Inflicted_Susan_Schuppli.ogg&xt=urn%3Asha1%3AFZFYY2ZASISYHEHSNZMCLEAUQIB6OLAX http://roundtable.kein.org/files/roundtable/torrents/v2v_wdk_Conflicted_Inflicted_Susan_Schuppli.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, June 2 16:30 - 16:55 An architectural arms race is a competition between two or more countries for supremacy through the means of architecture and urbanism. Each party competes to produce architectural imagery or concrete built form to achieve a relative gain over the other. Such gain could be accounted for either symbolically, or physically interfering with urban practices in the country of the opponent. 2006-06-05T23:58+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 43985768 00:24:54 Ogg Theora http://roundtable.kein.org/v2v/show/EKKTTDLRCELJQ66HJ2GU36RPV7IJFV7E ed2k://|file|v2v_wdk_Arms_Race,_Architectural_Ines_Weizman.ogg|43985768|4547d0eb255d1baee66a573f95c597df| magnet:?dn=v2v_wdk_Arms_Race%2C_Architectural_Ines_Weizman.ogg&xt=urn%3Asha1%3AEKKTTDLRCELJQ66HJ2GU36RPV7IJFV7E http://roundtable.kein.org/files/roundtable/torrents/v2v_wdk_Arms_Race,_Architectural_Ines_Weizman.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The video shows a slightly edited recording of the conversation between the theorist Irit Rogoff and the artist Kutlug Ataman. It was held at the occasion of the opening of the exhibition curated by Rogoff "De-regulation with the work of Kutlug Ataman" which is shown in MUHKA Antwerp, from March 16 till May 28 2006. The exhibition project brings together a body of work by the contemporary Istanbul/London based Turkish artist, Kutlug Ataman including 7 multiple and single screen installations by Ataman: Never My Soul, Vicious Circle, Twelve, 1 + 1 = 1, TV Room, Martin is Asleep, and Women Who Wear Wigs. This is the first time a range of works by this innovative artist have been assembled together in continental Europe. The exhibition created an open field which collates many materials; a visual essay by the German artist and theorist Stefan Roemer, Istanbul based theorist Nermin Saybasili has gathered together an archive of wedding culture among the many different ethnic groups in the city, while London based academic and conceptualiser of the exhibition Irit Rogoff has assembled film posters from Turkey’s rich film culture and numerous images of Ataturk, which are a prevalent feature of the Istanbul urban landscape. 2006-04-09T11:20+00:00 en 2006 KEIN.TV info@kein.org http://www.de-regulation.org 87149101 00:46:55 Ogg Theora http://roundtable.kein.org/v2v/show/BYZRLK5S5VN6564QSNA2I7GLOXKBQCGR ed2k://|file|v2v_de-regulation.ogg|87149101|9d41ea5f8f1e67b4f54968d461507c62| magnet:?dn=v2v_de-regulation.ogg&xt=urn%3Asha1%3ABYZRLK5S5VN6564QSNA2I7GLOXKBQCGR http://roundtable.kein.org/files/roundtable/torrents/v2v_de-regulation.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The tightening of immigration laws in France created in 1996 the movement of the "sans-papiers". With spectacular actions and a startling series of church occupations they called attention to the precarious situation of illegalized migrants: "Des papiers pour tous!" Papers for all was the slogan of a movement that spread rapidly all across europe. The film tries to review the situation three years after the brutal eviction of the first collective of "sans papiers" from the church St. Bernard in the north of Paris in summer 1996. It features former speakers of the sans papiers like Madjiguène Cissé, Traore Gaousson, Ababacar Diop and Kamara Hamady who recall the making of the movement - alongside interviews with Guy Laveuve, one of the priests of St. Bernard, Monique Chemillier-Gendreau, professor for international law and member of the „College des Mediateurs", as well as Ariane Mnouchkine, director of „Théatre du Soleil", who supported the sans paiers movement from the very beginning. The film was part of the arte theme evening: "no one is illegal" broadcasted in 1999. L'eglise de St. Bernard et la lutte des sans papiers 2006-04-08T02:55+00:00 fr 2006 Jochen Kraus und Florian Schneider info@kein.org http://kein.org 271988037 01:06:14 Ogg Theora http://roundtable.kein.org/v2v/show/B4J3IV6VRXX54WHI7RXK34G655VU36XF ed2k://|file|sortie.ogg|271988037|adcdcf6e16a546643de2ac94194aa625| magnet:?dn=sortie.ogg&xt=urn%3Asha1%3AB4J3IV6VRXX54WHI7RXK34G655VU36XF http://roundtable.kein.org/files/roundtable/torrents/sortie.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. International Festival “The Theatre” takes as a series of departure points for the realization of the project – to develop and build a full-scale theatre on the basis of a budget conventionally issued for a theatre/dance performance - during Steirischer Herbst 2007 a number of seminars. These seminars are to be held on a quarterly basis in different cities in Europe, inviting old and new guest for discussions and processes. At each seminar a public session will be held where the invited guests give presentations of their own work, practically and theoretically. Some of the presentations will be given specific weight to the project itself, others will be concerned with local projects or with more general issues concerning performance and architecture in its widest possible meaning. The first seminar was given at the art space Tensta Konsthall in Stockholm 3-5 February 2006. Celiné Condorelli gives in this presentation in depth orientations of three central projects in her and Support Structures activities over the last few years. Celiné Condorelli’s work bring archicture into fields of social and political complexity where spaces addressed open for introspection of their inherent hierarchical and productive coordination. Specific notice is taken in respect of how and when collaboration or shared work produces autonomy rather than concessions. Celiné Condorelli and Support Structures work produce this certain kind of autonomy precisely through offering space and activity as open ends. Celiné Condorelli is an architect. She is teaching at London Metropolitan University and her practice is concerned with architecture as interface, through art and architecture collaborations. Recent works include developing ‘Support Structure’, an RSA Art for Architecture and Arts Council England project with Artist-Curator Gavin Wade, through several exhibitions including at the Chisenhale Gallery, London, 2003, and The Economist, London, 2004, as well as taxi_onomy with artist Beatrice Gibson, supported by Arts Council England, the British Council and V2 Rotterdam. 2006-02-17T00:13+00:00 en 2006 International Festival everybody@international-festival.org http://www.international-festival.org 48925463 00:22:46 Ogg Theora http://roundtable.kein.org/v2v/show/3WO4J7FOCFP7CNUSN6JX22J4MHNIOUPA ed2k://|file|IF_celine2.ogg|48925463|c9223ee46246f02e6de7d76f32ca7402| magnet:?dn=IF_celine2.ogg&xt=urn%3Asha1%3A3WO4J7FOCFP7CNUSN6JX22J4MHNIOUPA http://roundtable.kein.org/files/roundtable/torrents/IF_celine2.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. International Festival “The Theatre” takes as a series of departure points for the realization of the project – to develop and build a full-scale theatre on the basis of a budget conventionally issued for a theatre/dance performance - during Steirischer Herbst 2007 a number of seminars. These seminars are to be held on a quarterly basis in different cities in Europe, inviting old and new guest for discussions and processes. At each seminar a public session will be held where the invited guests give presentations of their own work, practically and theoretically. Some of the presentations will be given specific weight to the project itself, others will be concerned with local projects or with more general issues concerning performance and architecture in its widest possible meaning. The first seminar was given at the art space Tensta Konsthall in Stockholm 3-5 February 2006. In this presentation ORTLOS lays out their activity as a kind of matrix, an infinite, constantly changeable field of the creative entries of those who shape it. From a certain size on, the constructs show the first signs of selforganization. And so it has been with ORTLOS right from the beginning. It is a kind of virus that is spreading, and although in the background, it makes you gradually sink into a world whose laws correspond to a different logic. ORTLOS is an instrument for the nomadic working methods. ORTLOS architects was founded by Ivan Redi and Andrea Schröttner as a network of interdisciplinary partners, with a commitment to the on-line working methods as well as their strong interest in expanding classical architectural tasks by simulating virtual environments to be applied to future realities, with the use of cutting-edge computer technologies. Their work has been published and exhibited world wide, among others at La Biennale in Venice 2000. They are currently teaching at TUGraz. ORTLOS architects have recently brought out their new book “ORTLOS: Architecture of the NetWORKS”, 2005 – Hatje Cantz Verlag. www.ortlos.at 2006-02-16T21:36+00:00 en 2006 International Festival everybody@international-festival.org http://www.international-festival.org 97359533 00:43:53 Ogg Theora http://roundtable.kein.org/v2v/show/GF34YSV7F7YVVEI5KVA52XL3KWRMPBDG ed2k://|file|IF_ortlos.ogg|97359533|bf4af19566cde61b2779209381575d72| magnet:?dn=IF_ortlos.ogg&xt=urn%3Asha1%3AGF34YSV7F7YVVEI5KVA52XL3KWRMPBDG http://roundtable.kein.org/files/roundtable/torrents/IF_ortlos.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The cartography that describes this archipelago of state-of-exception extraterritorial spaces, leads us to reflect upon the scope of the sovereignty of the traditional State and also upon the nature of power, the validity of political rights and the value of human life in an increasingly interdependent world. The closing session of the conference "Archipelago of Exception - Sovereignties of Extraterritoriality" from november 10 to 11, 2005, in CCCB Barcelona, features Zygmunt Bauman, Emeritus Professor of Sociology, University of Leeds, and as a respondant, Giorgio Agamben, Professor of Aesthetics, Faculty of Arts and Design, University IUAV of Venice. Zygmunt Bauman and Giorgio Agamben in conversation 2005-12-09T14:36+00:00 en 2005 KEIN TV info@kein.org http://roundtable.kein.org 267023763 01:34:47 Ogg Theora http://roundtable.kein.org/v2v/show/M7XI2SI4RIYYPSU6J5J2M7J6YJYPN6AL ed2k://|file|archipelago.ogg|267023763|cfe7e22cdc003dd322354941673fb91d| magnet:?dn=archipelago.ogg&xt=urn%3Asha1%3AM7XI2SI4RIYYPSU6J5J2M7J6YJYPN6AL http://roundtable.kein.org/files/roundtable/torrents/archipelago.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Thomas Keenan (USA) points out that the human rights movement is very sensitive to the criticism. Critics therefore are often regarded as being in support of the wrong actors, and betraying its ideals. Keenan considers the notion of 'global civil society' to be a very tricky term, since its dynamic is strongly related to global media platforms (satellite tv, internet etc). There is a certain actuality to global civil society that needs to be criticized, acknowledging the danger that it is being enlisted as the front actor of a borderless market world. To understand and recognise what is left out, global civil society needs to reshape itself. And while market forces should certainly not be underestimated, it also does not make sense to think of markets only in antagonistic terms. Incommunicado Interviews 2005-11-05T18:46+00:00 en 2005 Incommunicado video@incommunicado.info http://incommunicado.info 26987958 00:11:33 Ogg Theora http://roundtable.kein.org/v2v/show/FQVF2MODIYBMQEMURT2TCRAYMT2URSJP http://roundtable.kein.org/files/roundtable/torrents/keenan.torrent magnet:?dn=keenan.ogg&xt=urn%3Asha1%3AFQVF2MODIYBMQEMURT2TCRAYMT2URSJP ed2k://|file|keenan.ogg|26987958|c7f28efb6c3c32e7e8387035b813fb64| This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Solomon Benjamin Urban Planner Solomon Benjamin (India), speaks about Bangalore, the Silicon Valley of India, and his work in a cross-disciplinary team on city-based work focusing on local politics. Bangalore is a city on which the recent boom of the IT industries has had a huge impact. Stressing that we shouldn't lose sight of what is happening on the ground as we theorize ICT matters, Benjamin argues that civil society initiatives enrich the local knowledge and create a platform that is also available and valuable to other actors. Incommunicado Interviews 2005-11-05T16:19+00:00 en 2005 Incommunicado video@incommunicado.info http://incommunicado.info 79447068 00:38:13 Ogg Theora http://roundtable.kein.org/v2v/show/OMH2DEZXMQQCHELSCIP27PSO54QKEFD5 http://roundtable.kein.org/files/roundtable/torrents/benjamin.torrent magnet:?dn=benjamin.ogg&xt=urn%3Asha1%3AOMH2DEZXMQQCHELSCIP27PSO54QKEFD5 ed2k://|file|benjamin.ogg|79447068|62f26a381bb1fe4e15da945c11f09990| This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. On Saturday, March 19th, 2005, the last day of MODE05, Irit Rogoff joined for a lecture on "Academy as Potentiality". Irit Rogoff is Professor of Visual Cultures at Goldsmith’s College, London. Most recently she participated in the international exhibition project "Academy". 2005-03-23T17:03+00:00 en 2005 KEIN.TV fls@kein.org http://kein.org 120061656 00:46:03 Ogg Theora http://roundtable.kein.org/v2v/show/ZUMUGYGWTELRXDP5SKQL32KGTUX7Y2JD ed2k://|file|v2v_m05-rogoff.ogg|120061656|f43eb9eace0e110c855515bfa043a082| magnet:?dn=v2v_m05-rogoff.ogg&xt=urn%3Asha1%3AZUMUGYGWTELRXDP5SKQL32KGTUX7Y2JD http://roundtable.kein.org/files/roundtable/torrents/v2v_m05-rogoff.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.