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Pip Day (U.K. 1969) founded and currently directs the programs Estudios Curatoriales (Curatorial Studies) and RIM (International Residencies in México) as part of the Mexico City based independent arts organization Teratoma. She obtained her masters in Curatorial Studies at the Center for Curatorial Studies, Bard College in 1996, after which she worked as curator at Artists Space in New York. She has been curating and writing independently since 1998. She has published articles and essays in various catalogues and journals including Art Review (London), Untitled (London), Curare, (México), Photography Quarterly (New York) and is contributing editor to the arts and culture magazine Cabinet (New York). Her curatorial projects include Zero at OPA, Guadalajara (2004) and Art & Idea, México City (2002), Nostalgia at Art in General, New York (2002), Residue, at Kunsthalle Exnergasse, Vienna (2000); Faucet at Exit Art, New York (1999); Performing Video at Ex-Teresa, México City (1999) and many exhibitions while curator at Artists Space, New York (1996 – 1998). She has taught at Bard College’s Center for Curatorial Studies, and lectured at Parsons College, Institute for Contemporary Photography, Royal College of Art and Goldsmiths College. She is currently editing a collection of essays related to the conference Once upon a Time: Modernity and its Nostalgias (Érase una vez: la modernidad y sus nostalgias), organized in collaboration with Cabinet (NY) for the Museo Tamayo Arte Contemporáneo in Mexico City (April 2005) and is currently a PhD candidate at the Centre for Research Architecture at Goldsmiths College, University of London.