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Persistence Resistance

Goldsmiths, University of London
London School of Economics
School of Oriental and African Studies
University of Westminster
Brunel University

present

Persistence Resistance 2011: Documentary Practices in India

London, 1 – 8 November 2011

Persistence Resistance is premised on the belief that documentary practices in any place actively participate in the shaping of our times. The strong history of documentary filmmaking in India and the continued explorations and experimentations with documentary form offer an extensive intellectual and creative platform to think through and debate current urgencies in South Asia as well as in the UK, Europe and elsewhere internationally.

In its fourth year, Persistence Resistance 2011 (held in New Delhi from 7-11 February) celebrated the independent documentary artists’ deep engagement with the myriad forms that the documentary affords. Through the personal to the conceptual, the essayistic, the poetic, the performative, the self-reflective or the fictional, engaging humour, philosophy, music, the law or social movements – they create distinct political voices and impulses for their audiences to engage.

Persistence Resistance in London would like to widen the spectrum of conversations between those films and their audiences, between filmmakers and viewers through a series of constructed conversations between academics and practitioners. It introduces archival and very recent works that have not been shown in London previously and it sets out to expand the ways documentaries offer us to think and to act. While we start with a focus on Indian documentary practice to create a more informed ground to explore its specific histories, styles and provocations, the aim is to explore further political and aesthetic affiliations across geographical locations and disciplines.

The collaborative effort between Magic Lantern and five academic institutions – Goldsmiths, LSE, SOAS, University of Westminster and Brunel University – made it possible to create an event that focuses on in-depth conversations between and amongst filmmakers and theorists, linked to screenings, round-tables and with plenty of time for open discussions with the audience.

Filmmaker guests Arun Khopkar, Deepa Dhanraj, Rahul Roy, Rajula Shah and Saba Dewan, from India, Yasmine Kabir from Bangladesh, as well as UK based filmmakers John Wyver, Mairead McClean, Mao Mollona, Margaret Dickinson and Simon Chambers will be joined by, and be in conversations with, Alisa Lebow, Alpa Shah, Guilia Battaglia, Laura Bear, Lotte Hoek, Lucia King, Nicole Wolf, Partha Mitter, Radha D’Souza, Ravi Vasudevan, Ros Gray, Rosie Thomas, Stephen Hughes, Stewart Motha and Ziba Mir Hosseini.

We hope that Persistence Resistance 2011: Documentary Practices in India will be a celebration of both the plurality of the documentary practice and the ways of engaging with it.

All welcome and all events are free

The festival is realised with the support of the Public Diplomacy Division, Ministry of External Affairs.

London School of Economics has supported the participation of Yasmine Kabir.

The project was conceptualised with support from the British Council’s development grant

under Connections Through Culture.

THE EREIGNIS & THE HYPERLIEU: A SYMBIOTIC URBANITY (ANISHA JOGANI)

In the increasingly congested, and overlaying flat spaces of the city, whether it be one of economic production, social interaction, cultural engagement or in relation to a global financial market; it seems that if one is not incorporated into these structured, formal systems, state technologies and ‘finite urban ecologies,’ that the potentiality for successfully practicing through the above would be largely limited. The result is fluxes of internal displacement within the metropolis; an urban phenomenon occurring across an international plane. It is at this intersection, and through a series of instances in cities of the global south and the post-colonies, that this project operates. It exposes the [problematic] ability for achieving successful social ‘being’ in an efficient urban ‘community.’
The displaced citizen continually falls towards and beyond the fringe of the registered community, into a zone of banishment; yet aside from these visible structured systems, life continues to be sustained and appropriated through necessity, in a ‘state of exception;’ a space where necessity has no law. Through (and in symbiosis with) the resultant expulsion, it turns into a tool for the exposure of new axes of practice and community. Here, it is in alignment with Jean-Luc Nancy’s notion of an infinite/ differential nature of community that comes into being through the existence of finite, singular beings [and things], exposed in relation to one another. These are the dimensions of interest, and the new ecologies which develop through them the matter of concern; aimed to generate urban tools for socio-economic sustainability. These deep spaces of informal modes of practice in the city tend to be mobile and transient in nature, coming into existence through the space-times that host their genesis whilst attempting their banishment. It is a highly charged space of conflict and exchange; instances of which are investigated through the project. It is the ‘Hyperlieu,’ a zone on the fringe of residence, commerce, banishment and waste; conjoining notions of the Hypermarché and the Banlieu; and the moment of exposure that creates it, the ‘Ereignis.’
[Ereignis is translated often as “an event,” but is better understood in terms of something “coming into view.” Hubert Dreyfus defined the term as “things coming into themselves by belonging together.”] The deep space of exception that is of concern is exposed, forming multi- axial communities through momentary occurrences of the ‘Ereignes.’ This notion serves as a vital tool to aid the study of symbiotic, urban hyperlieus and in turn enables the turning of the situational apparatus that facilitate some important informal practices and cooperative economies. Catalysed through a coexistential analytic, and with the aim of exposing the potential of deep spaces of exception, the project deconstructs the originary notion of community through extrapolating the structures of literary/sonic communism and a collection of conversations. Through this investigation of transient urban spaces, exposing themselves by following notions of displacement, mobility and flexible citizenship, it opens the possible turning of its exceptional and resilient tools to inform spaces of exchange and cooperative urban communities.

 

symbiotic urbanity

HALOCAUST: THE ARCHITECTURE OF COUNTER-INSURGENCY (ZAHRA HUSSAIN)

Halocaust: (def) The ring comprising of various agencies that forms around a disastrous event. From Halo and Caust.

Halo (n): from Gk. halos "disk of the sun or moon, ring of light around the sun or moon", The ring around a glorified person or thing.

Caust: Caust-ic  (n) (physics) formed by the intersection of reflected or refracted parallel rays from a curved surface.


Halocaust is a concept developed through rigorous research by analysing contemporary space as it has evolved in the last decade in Pakistan. Since 2001, Pakistan has been a key ally to the US in the War on terror declared in Afghanistan. This involved a complex network of strategies, relations, operations, responsibilities and pacts between these countries. Although the war is active in Afghanistan and the North-Western space of Pakistan, the affect of war encompasses a much larger area irrespective of territorial boundaries. This project lies in the domain of geopolitics as it affects contemporary urban space and triggers a process of accelerated transformations. This project explores the present urban condition in Pakistan by examining the political and cultural ramifications of social and institutional networks present in different cities. It engages with the situation at various scales between power and space, and the regimes of authority performed through spatial assemblages.

A censor to trace transformations, Halocaust is a process that begins at the moment of a spontaneous destructive event, followed by the convergence of various agencies to contain the chaos, which in turn ensures regulatory practices in space.

The project takes deeper interest in these relations by analyzing the spatial configuration of their operation, materials that are plugged into the architecture, the reshaping of urban space and the emergence of a collective subjectivity in a conflict-stricken society. It questions the active making of urban morphology; the role of the architect and the urban designers, the surveillance and security mechanisms and the incalculable affect of warfare as it seep into the spaces of daily life.

Through the intense archival procedure, the research material acts as the nomadic discursive element that becomes the point of convergence. It activates a forum around itself that dissects the site under analysis.

HALOCAUST

 

MODE OF SUSPENSION (MONIKA LOVE)

"That law can be suspended is not a novelty in politics or history. Yet suspended does not mean elimination, absence or standstill. While suspension can be thought of as a void – between A and B, between constitutive and constituted power – actually it contains supreme power. Urban space, as a result of decision-making processes, is similarly formed by power, where things as material assemblages, cultural forms and agencies resist, mobilize, mediate and re-form their surroundings.

This research investigates three instances that can be reviewed as situations in which limits are temporarily removed, and as a consequence, the very structure of the society is suspended. The greatest desire in suspension is not necessarily to move forward or even to return to a life of predictability. It is the time of in-between – between worldviews, structures, hierarchies or power regimes. It is a state of having limited knowledge where it is impossible to exactly describe existing state or future outcome, and therefore more than one outcome is possible. It is argued that suspension is not only common to the crisis but also to emergencies that could potentially arise. Thus suspension becomes a measure of global dominance and control, and requires alternative type of governance.

Rather than thinking of suspension as a negative reference point - as deficiency or standstill - mode for suspension is set to construct for(u)ms of knowledge by revealing the insignificance of the context - become a useful way of thinking about independence and global objectives."

http://modesofsuspension.blogspot.com/

 

MODE OF SUSPENSION

THE EVENT OF VOID (FRANCESCO SEBREGONDI)

The Heygate estate, as a piece of architecture, is dead; only left is its empty corpse, a delimited void. What is going on in this void? What is at stakes in its production and maintenance? What is its relation to the teeming city surrounding it? What is the subversive potential of that void? And since the appearance of a temporary void tends to be a constant within the pattern of urban regenerations, could we start thinking these voids together: as places from which to question, perhaps reinvent, the inherited axioms of the practice of architecture?

THE EVENT OF VOID

THE REGISTRATION MACHINE (JAN LEMITZ)

Beginning with the eviction of migrants from their makeshift homes in the ‘jungles’
of Calais in 2009 this project brings together images from a number of events
staged for the presence of the camera. Migration is made visible within a
political framework that makes use of the images it produces for the purpose of
governance and control. Migration is articulated in a visual language of ‘exclusive
inclusion’ . The registration machine challenges the existing hierarchies of the contents
established by this language. It has the potential to facilitate the cohesions
between images, their sites of containment and the boundaries inherent in the
visual landscapes of Calais. Contents become connectable and interchangeable,
migration is no longer inexplicable, remote and disconnected from local conditions.
It is rather part of an ongoing past and present of 'turbulences' that make people,
things and their photographs move around the world. The stories of those turbulent journeys are told across the archival spaces and their contents.


THE REGISTRATION MACHINE

PATHOLOGICAL GEOGRAPHIES (EMMA CUMMINS)

Widely considered to be the worst fiscal crisis since the Great Depression of the 1930s, the global financial crisis of 2008 is highly indebted to the collapse of property markets and urban development programmes that were initiated throughout the 1990s and early 2000s. As such, if one visits contemporary China, Great Britain, Spain, Ireland, Dubai or the US, for example, there is a high probability that one will stumble across a variety of recently constructed, yet vastly under populated enclaves of apartments and housing units that failed to fulfil their original utopian purpose. Recently recategorised as ‘ghost estates’ or ‘ghost towns’, the proliferation of empty buildings and unfinished construction projects in Ireland and Spain simultaneously reveal the problems of long waves of investment in the built environment and the interior pathology of a highly irrational system.

Inspired by Eyal Weizman’s ground breaking analysis of forensic architecture – a practice where ‘the testimony of things’ and buildings is performed, or ‘ventriloquized’, by humans in a court of law - Pathological Geographies aims to provide a comprehensive reappraisal of these supposedly ‘ghostly’ developments that is firmly situated in the broader, ideological context of capitalism itself. Rather than focus on the social effects of ‘ghost towns’ and ‘ghost estates’ the text considers the hidden forces and complex trajectories of capital that are harboured, or concealed, by the concrete materiality of the built environment.

 

PATHOLOGICAL GEOGRAPHIES

Derek Gregory - “Doors into Nowhere”: Dead Cities and the Natural History of Destruction

Friedrich (2002/2006) elects to begin his account of the air war on the ground in Germany, but I hope these last pages have shown that it is also necessary to take the measure of the ground in Britain—in its conventional, geographical sense and in the sense of a conceptual order—where German cities were busily being transformed into targets. The bomber stream was the advancing edge of a process of abstraction that reached right back to that exhibition of a Lancaster and its payload in Trafalgar Square, which represented bombing as a domain of pure objects (aircraft and bombs).

Derek Gregory: War and peace

Since the end of the Cold War two modes of ‘new war’ have been distinguished. One, the Revolution in Military Affairs, transforms advanced state militaries (particularly in the global North) through an emphasis on stripped-down, highly specialised forces deploying cutting-edge technology with unprecedented precision. The other is waged by non-state militias and guerrilla forces (particularly in the global South) and relies on light, even improvised weapons, focuses its violence on civilians and is implicated in the criminal circuits of a shadow globalisation.

EXCHANGES: PHD-MA ROUNDTABLE SEMINARS

The Exchanges Seminar Series provide a common forum of discussion between PhD and MA level members of the Centre for Research Architecture. It is designed to enable material and theoretical crossovers and to promote the development of horizontal, autonomous, p2p-based forms of critical pedagogy.

crosspost from: http://www.mara-stream.org

SEMINAR 1: A GEOGRAPHY OF AUTONOMY: BORDER REGIMES, STRUGGLES AND SPATIAL PRACTICES

Alexander Duttmann: Disobedience - Before the Law (Kafka, Thoreau)'

Professor Alexander Duttmann will be speaking on 25/10/2011 at 4.00pm in NAB 314 as part of the InC (Continental Philosophy Research Group) autumn seminar series.

'Disobedience - Before the Law (Kafka, Thoreau)'

Abstract: What's the dream at the heart of civil disobedience? This paper aims to provide an answer by turning to Thoreau's famous essay and showing that it advocates a relation to the law which must be situated beyond individualism.

All are welcome.

The event is free

Michel Serres: Revisiting The Natural Contract

"A satellite for speed, an atomic bomb for energy, the Internet for space, and nuclear waste for time...these are four examples of world-objects."

-- Michel Serres

 

A leading French philosopher (and mathematician) of the humanities in the age of posthuman culture, Michel Serres' writings represent the creative edge of a form of thought which in its intensity and planetary dimensionality sums us the crises and paradoxes of 21st century life. Renowned for his philosophical excursions concerning thermodynamics, complexity and chaos theory in science, technology and practice, Serres has literally written the history of the "world-object" in books including Hermes, Genesis, The Troubador of Knowledge, The Parasite, Conversations on Science, Culture, and Time, and The Natural Contract. CTheory is pleased to publish a translation of a paper presented by Michel Serres to the Institute of the Humanities at Simon Fraser University (Canada) on May 4, 2006. "Revisiting The Natural Contract" focuses on Serres' famous 1990 publication, The Natural Contract.

 

-- Arthur and Marilouise Kroker, Editors

 

Ecology           

This word appeared in the French language for the first time around 1874, following the German usage proposed by Haeckel in 1866; however it seems that the American philosopher Thoreau, had already invented the word in 1852. Since then ecology has acquired two meanings.

1) It refers to a scientific discipline, dedicated to the study of more or less numerous sets of living beings interacting with their environment. The discipline of ecology started with a comprehensive study of the Mont Ventoux, in France, and about the same time with the development of limnology or the science of lakes, with studies in the vicinity of Madison, Wisconsin. In studying the interlinked totality of living beings and inert objects, ecology relies on the combination of both traditional and recent disciplines, mathematics (differential equations), thermodynamics, biochemistry etc.

2) Ecology also refers to the controversial ideological and political doctrine varying from author to author or group to group that aims at the protection of the environment through diverse means.

 

History and Philosophy of Law

Published in 1990, and written in the previous decade, The Natural Contract does not use the term ecology once. Why not? because it deals with the philosophy and the history of Law, and in particular with the question of who has the right to become a legal subject. For centuries, only adult males who belonged to an upper social class could introduce and defend a legal action: Greek and Roman citizens, nobles, bourgeois. ... excluding slaves, foreigners, women and children, the poor and destitute.. Little by little, some form of emancipation enabled the latter to become legal subjects, that is "of age" in the eyes of the law and other public institutions. I am ashamed to say that I was taught in my youth about the establishment of universal suffrage while women only got the right to vote in my country in 1944; they even needed their husband's signed permission to open a bank account.

This entire history ends at least theoretically, with the famous Declaration of the Rights of Man and the Citizen, decreed during the French Revolution, and at the end of the last war, with a similar but universal Declaration published by UNESCO. Thus, everyone is a legal subject today.

My book argues that this Declaration is not yet universal as long as it does not determine that all living beings and all inert objects, in short, all of Nature have in turn become legal subjects.

 

Who signs the contract?

The main objection to my book consists in asking the author: who will sign the Contract since Nature does not have a hand with which to write nor an understanding capable of any such intention.

I am neither so dumb nor so animistic to think that Nature is a person. I could also answer that the same objection was leveled at Rousseau's social contract; no one has ever signed this contract in a ceremony the date and circumstances of which could be documented. The General Will has as few hands as nature.

Therefore these Contracts must be conceived as preconditions. If we live together in such and such a way, everything occurs as if we had signed the Social Contract. If today we protect certain endangered species, it is because we acknowledge their right to exist, at least virtually. During the British colonial period, the hunters in Bengal did not recognize the rights of tigers, even to the point of extinction. We are beginning to conceive the possibility of lawsuits that, for example, oppose polluters and this park or forest or that mangrove swamp. Such lawsuits are only possible because of the tacit acceptance that these "things" are legal subjects.

Our present behaviors, even our sensibility now take into consideration the fragility of things, and so presuppose that Nature is slowly becoming a legal subject.

Despite differences between epochs, traditional Western philosophy attempts to discover a place from which one can simultaneously observe scientific reason and legal reason, the laws of the physical world and the political laws of human collectivities, the rules of Nature and the rules of Contracts. This is why the terms that designate those principles are the same in the major languages.

This is true of Plato and Aristotle, Lucretius and the Stoics; it applies to Saint Thomas Aquinas and the Middle Ages, Spinoza and Hobbes, to the classical age, and closer to us, Kant and Hegel. In search of such a place, The Natural Contract deals with the philosophy of knowledge and action in relation to problems posed by contemporary science and technology.

 

The New World-Object

Heat and the world-objects

As soon as human technology started using heat, vaporous mixtures expanded everywhere in all directions and at random; recent core sampling of glacial inlandsis have been able to date the beginning of the bronze age almost to the year, thanks to traces of the first effluents emitted by archaic ovens in the Middle East which were dispersed everywhere and carried by snowfall to those high latitudes. Who would have thought that globalization started as early as our prehistory?

The industrial revolution generalized and propagated thermal techniques which accelerated the rise of the local towards the global, the causes or consequences of which philosophy has not yet studied. Since I frequently described this rise in previous books, The Natural Contract begins by simply mentioning it. Our know-how has been dedicated in recent times to the production of world-objects, a concept that I defined twenty-five years ago in Thanatocracy (Hermes III, p. 101), taking as examples ballistic missiles, fixed satellites and nuclear waste. By world-objects I mean tools with a dimension that is commensurable with one of the dimensions of the world. A satellite for speed, an atomic bomb for energy, the Internet for space, and nuclear waste for time...these are four examples of world-objects.

 

What is an object?

What then is an object? In the literal sense it is: "that which has been thrown or which one throws in front." Are world-objects lying in front of us? The global dimension that characterizes them eliminates the distance between us and them which in the past defined objects. We now live in those world-objects as we live in the world.

Traditional technologies, tools and machines form units with a local range of action in space and time: the sledgehammer drives in the stake, the plow cuts the furrow, in sum, they define an environment where few humans worked, for example a family living on a farm. Such a division of the world into localities allows for a philosophy of mastery and possession, because we can define what we dominate, how we dominate it and who is meant by this we. As the range of action of the objects increased, so did the number of humans that produced or used them; but also vice-versa in a kind of feedback. Smelting furnaces and airline companies do not mobilize the same groups; the concentration and size of subjects condition those of objects. However, the reverse also takes place.

Little by little globalization forms a new universe based on thermal techniques and developed further by the quantitative increase of world-objects. We see these now as technical, physical, and we will soon see them as human and legal as well. Can we still call these things objects, and the people who use them subjects? Are our communication networks objects?

 

Dependency and possession

It is perfectly possible to master a given place in a short period of time and to become its possessor; in the final analysis property is the occupation of a niche and thus the demarcation of a place. But we do not know the ins and outs of global mastery of the universe. Because our philosophies are dedicated to difference and distinction, they can only achieve accurate definitions at the local level. As a result they handle categories of totality with difficulty. The Cartesian adage concerning the possession of nature does not define the conditions of mastery over such a vast "object."

On the other hand, that same recommendation of mastery is inscribed in the slow historical displacement of the old stoic division between things that depend on us and things that do not. Again, what "things"? In a second Cartesian act, those "things" that at first did not depend on us suddenly do now, and increasingly so; but, in the third act, we ourselves suddenly depend, and increasingly so, on things that depend on actions that we undertake. Our survival depends on a world that we create with technologies whose elements depend on our decisions.

To the Stoic division, and the Cartesian mastery now succeeds a spiral where mastery and dependency interact and retroact and where obsolete, solitary subjects, are mingled with outdated objects. Thirty years ago already, I wrote that today mastery of the world must be replaced by the mastery of mastery.

 

The world or nature: homo sive natura

We do not know what the world is like today; we are only beginning to know it and this knowledge differs from our knowledge of a circumscribed object. We are just beginning to act on the world and this practice differs from our action on circumscribed objects.

Therefore philosophy's task is to re-examine ancient concepts such as the subject, whether individual or collective, the object, knowledge and action. Those concepts developed over millennia, at least in the West, under the prior condition of local divisions which defined a gap between subject and object in which action and knowledge operated. The measure of that gap conditioned them. Local division, distance, measure... this whole production of theories and practices is falling apart today as we enter a broader scene. Older categories of totality such as being-in-the-world become concerns of objective knowledge, relevant to the problem of politics and technical action. Thus they go from metaphysics to physics, from speculation to action, from ontology to responsibility, from ethics to politics.

A certain nature, not in the common meaning of the term, but in its purely etymological sense, is being born which is new for our globalized knowledge and acts.

This nature returns as a condition of knowledge, action and even survival, now that the new subjects are encompassed by it as soon as they act upon it.

Homo sive natura.

 

Objectivity: The Whole Earth

Perception: thanks to photographs taken by the astronauts, we see the whole Earth. This view is different from ancient visual perceptions that presupposed the Earth as an unseen background. Being-in-the-world never saw the world before.

Transmissions, information and knowledge: through the Web and e-mail we communicate with the entire Earth. The consequences for knowledge and the human community today transform our living conditions. Being-in-the-world never before heard the world.

Practices: through our techniques and their effluents, we act on the entire Earth, the climate and global warming. As soon as we act on it, it changes and we change and we no longer live in the same way. All we can do is bet on the consequences of those actions for our survival. Being-in-the-world never acted on the world before.

 

Subjectivity: Humanity

For better and for worse, information and communication, with their intermediaries and powers, traverse the entire Earth and its inhabitants, defining new communities, a global "we."

Today communities of audiences, spectators and contributors emerge, creating a global public opinion, which at first is scientific and technological, and no doubt eventually political and moral.

To the whole Earth there corresponds humanity, no longer abstract, sentimental and potential, as in the past and until fairly recently, but present and soon to be fully realized. A certain humanism is reborn, resting on the new Grand Narrative of our paleo-anthropological origins.

 

Collectivity: New Object-Subject Distribution

The subject becomes object: we become the victims of our victories, the passivity of our activities. The global object becomes subject because it reacts to our actions like a partner.

The earlier Rio and the more recent Kyoto meetings on global warming show the progressive formation of that new collective global subject which is situated facing or inside the new natural global object.

 

The cost of knowledge and action

Classical Western philosophy never calculated the cost of knowledge or action but considered them to be free of charge. However, as soon as work appears, everything is subject to the martial law of price. The yield of work is never one on one; there are always residues and garbage. As long as work remains cold and local, price is calculated in terms of profit and loss. As soon as heat enters work, the productivity of the thermic machine is calculated. When world-objects are in operation, the cost becomes commensurable with a world dimension. Local, negligible waste is succeeded by global pollution of the world.

 

Legal Conditions of Knowledge and Action

Things and causes: the archaic and the new Contract

Let us return to things themselves: for the Western linguist and historian, causes or cases precede things and the first known subject is the legal subject. The contract precedes knowledge and action.

The French word "cause" designates an objectivity; it is indeed derived from the Latin causa, a legal term used to designate what is at stake in a lawsuit, or the lawsuit itself. The thing originally then appears as something about which there is a debate, a suit, the decision of a court, something about which there will be a contract. Knowledge of the thing flows from the establishment of a legal authority that names both the agreement and its object. Similarly, the English thing is derived from a term of Germanic law. In our European languages then, the emergence of a thing is always accompanied by a social contract: does it constitute the group or does the group constitute it? We will probably never know which preceded the other. In any case, objectivity appears at the same time as a collective and this appearance takes place under legal conditions.

Subjects, objects, knowledge

Similarly, the first known subject is a legal subject. For that reason, The Natural Contract deals almost exclusively with the question: who has the right to become a legal subject? Western history shows the progressive increase in legal subjects: slaves at first, then children and women, the recent date of whose inclusion shames the West.

The whole question concerns first and foremost the status of subjects, and then that of objects. Some thought it was crazy to propose a contract that would commit us to an object and through which it would be committed. The same objections were leveled at Rousseau; the Social Contract was never signed in known or knowable history by any human or collectivity because in his work it designates the sine qua non or transcendental condition for the formation of societies. Bacon could have been criticized in the same way: whom does one command, whom does one obey, in his famous adage according to which one can only command Nature by obeying it?

And yet, as with any change in scale, globalization progressively and profoundly transforms the respective status of objects and subject, as action and knowledge strive towards the universal: the objective status of the collective subject changes because from formerly active, it becomes the passive, global object of forces and constraints that result from its own actions; the status of the world-object also changes as, from formerly passive, it becomes active, from formerly a given, it becomes our de facto partner. Thus we can no longer describe the scene of knowledge and action with the medieval couple of subject-object; the terms are changing as well as their relation.

Concerning this relation, I know of no knowledge that does not start out from legal conditions whose impact in the history of science increases at least as fast as the conditions of globalization. Every body of knowledge requires an agreement or a consensus that must be established by an authority in fact or by right. In education we must present ourselves to examiners for graduation, competitions or publications. Before saying anything, whether it be true, false or probable, even before saying that this or that is or is not an object of science, such and such authority deliberates and decides in an adversarial process.

Legal subjects proclaim the rights of objects.

 

Case History

Those legal conditions have not always prevented fatal outcomes. Everyone cites Galileo's trial as the exceptional action that founded modern science in the West. Not so! I do not know of any Greek scholar concerned with objective science, astronomy, physics or medicine, who was not on some occasion called before the court on the charge of neglecting the political affairs of his country. They all risked or lost their life for having interrogated the stars or the plants. The Greek history of important trials testifies abundantly to the fact that the thing emerges with the case. Fairly rare in the Christian area and era, a trial like Galileo's seems rather a remnant of that distant history.

As I noted at the beginning, the fact that the great western philosophies (from Plato and Aristotle to Hegel) attempt to discover a common place from which to think both science and law at the same time, seems to me a significant trace of that origin. Why do we designate both types of law with the same term, why do we say or not say nature for the world and for humans?

Today we must conceive a new object that goes far beyond the status of local objects, because if we treat the world as an object we are condemned in turn to become the objects of that object. To think this new situation, we need to return to the original legal gesture. This newly emerging object enters thought with a new Contract that simultaneously establishes the new global object and the new global group that thinks it, acts on it, and whose debates reveal it, whose actions make it react and the reactions of which condition the very survival of the collectivity that thinks it and acts on it. For more than twenty years, we have been speaking and debating about this, and establishing the basis of what I have called, the Natural Contract.

Philosophers for whom neither the world nor science exists have criticized me for dealing with these issues; however that seems to me a very small price to pay compared with the treatment I should have received. Certainly, the fact that the politicians themselves are taking these problems seriously renders such criticisms obsolete. The legal debate has started, the global collectivity has noted the existence and status of the new object that, for lack of a better word, we continue to call nature, and by conferring about it, our leaders have de facto signed the Natural Contract.

The task of philosophy is to anticipate the future.

 

Knowledge and exchange: the given

I promised to speak of the partnership. The relation between the subject of knowledge and its object has never been thought in terms of exchange; instead it was understood that that the active subject took information from the passive object.

The use of the terms "data" and "given" in philosophy thus reveal that the objective or external world gives for free and asks nothing in return. Consequently, the knowledge link becomes parasitical. The subject takes everything and gives nothing while the object gives everything and receives nothing. Knowledge is then treated as disinterested in turn. The active or technical relation to the world exploits it and that is all. We did not know we were acting as parasites or predators. What appears normal, usual, commonplace in knowledge or action becomes scandal and abuse as an exchange. But if legal processes lie at the origin of knowledge, some kind of equilibrium should be established in the exchange; hence the necessity of a contract.

All pedagogy consists in making the little human who starts out as a parasite into a symbiotic partner of a fair exchange. Since he takes, he must give back in return. In a certain sense, this involves signing a contract of exchange with his environment, as if he started out his human and civil life by learning the non-written law. So every pedagogy presupposes a Contract.

 

The law that founds symbiosis

Consequently, we must collectively educate the scholar, the technician, the politician and the consumer just as we educate our children, individually from the very start of every education. Late in life, we are becoming adults of knowledge and action. The relation to knowledge changes today because of the need for symbiosis with the new object. Exchange is prior to knowledge. A Contract is required to make this exchange equitable. Knowledge starts with the law, whose laws precede any discovery of laws; similarly, technological action starts with the right of exchange. And thus begins the symbiosis of the global world-object and of the global human species-subject.

Any change of scale requires an adjustment of concepts.

 

Master and slave: concerning ancient death

The 20th century built global world-objects but could only think in terms of the old local philosophies. Remember how these philosophies spoke of power: Hegel calls "master" he who gets closest to death and "slave" he who stays far away from it. What death are we talking about? Only the earliest kind, the ancient one. This concern indicates the obsolescence of philosophies that knew nothing of the lesson of Hiroshima, the possible collective death of the human species. What can we say about power, that is to say, politics, when exercising it endangers not only the knight with his amour, or his family, his tribe, his group or nation, but all of humanity, the planet included? Here too, the scale has changed. The question of power concerns not only war and politics, but also technical action and its tools. And as usual, the law follows death.

The law I propose follows the new death. Certain elements of world opinion and politics during the next years of the 21st century will be linked to these legal questions.

And so I prefer Goya's painting the description of which opens The Natural Contract to the master-slave dialectic. A pair of enemies are fighting in quicksand. With every blow dealt to the adversary, their legs sink into the sludge, ever deeper as the energy spent in combat increases. Since the dawn of history, we have only seen the belligerents in the grand spectacle of the battle and have only been interested in the question of who will win or lose, who will become the master by subduing or killing the slave?

However, the game is no longer played by two parties, but by three; no longer two subjects, but a pair and the object. Which object? not the local object of a now trivial debate, but the global habitat; no longer the individual case, but the universe of things reacting strongly to the conditions of the struggle. In the past, we signed temporary peace treaties between belligerents; today we must sign contracts of symbiosis between the global Earth and the totality of actors. For, in spite of their hatred and the force of their blows, these actors actually struggle, in agreement and in unison, with their habitat.

 

 

 

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translation by Anne-Marie Feenberg-Dibon

 

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cross-post form: CTheory

 

Dr. Anne-Marie Feenberg-Dibon is Associate Professor of Humanities and Director of the Institute for the Humanities at Simon Fraser University, Vancouver, British Columbia.

 

 

Maurizio Lazzarato: Struggle, Event, Media

Why can the paradigm of representation not function in politics, nor in artistic modes of expression, and here especially in the production of works that employ moving images?

I will attempt to answer these questions by using the paradigm that imagines the constitution of the world from the relationship between event and multiplicity. Representation is conversely founded on the subject-work paradigm. In this paradigm the images, the signs and the statements have the function of representing the object, the world, whereas in the paradigm of the event, images, signs and statements contribute to allowing the world to happen. Images, signs and statements do not represent something, but rather create possible worlds. I would like to explain this paradigm using two concrete examples: the dynamic of the emergence and the constitution of post-socialist political movements and the way television functions, in other words, signs, images and statements in contemporary economy.

The days of Seattle were a political event, which – like every event – first generated a transformation of subjectivity and its own mode of sensibility. The motto "a different world is possible" is symptomatic for this metamorphosis of subjectivity and its sensibility.
The difference between this and other political events of the recently ended century is radical. For example, the event of Seattle no longer refers to class struggle and the necessity of taking power. It does not mention the subject of history, the working class, its enemy capital, or the fatal battle that they must engage in. It restricts itself to announcing that "something possible has been created", that there are new possibilities for living, and that it is a matter of realizing them; that a possible world has been expressed and that it must be brought to completion. We have entered into a different intellectual atmosphere, a different conceptual constellation.

Before Seattle, a different world was merely virtual. Now it is actual or possible, but it is something actual, something possible that has to be realized. The transformation of subjectivity must invent time-space arrangements that watch over this re-evaluation of values, which was able to bring forth a generation that has grown up after the fall of the Berlin wall, in the period of major American expansion, and in the New Economy. Twofold creation, twofold individuation, twofold becoming. The signs, images and statements play a strategic role in this twofold becoming: they contribute to allowing the possible to emerge, and they contribute to its realization. It is at this point that the "conflict" is confronted with the dominant values. The implementation of new possibilities for living runs into the existing organization of power and the established values. In the event, one sees what is intolerable about an era and the new possibilities for living that it contains at the same time. The mode of the event is the problematical. The event is not the solution to a problem, but rather opens up what is possible. For Mikhail Bakhtin, the event reveals the nature of being as a question or as a problem – specifically in such a way that the sphere of the being of the event is simultaneously that of "answering and questioning".

The days of Seattle involve a corporeal arrangement, a combination of bodies (with their actions and passions) composed of individual and collective singularities (multiplicity of individuals and organizations – Marxists, ecologists, union activists, Trotskyists, media activists, "witches", Black Bloc, etc., which practice specific corporeal relations of co-functioning); and there is an arrangement of statements, a regime of statements formed from a multitude of statement regimes (the statements of the Marxists are not the same as those of the media activists, the ecologists or the "witches", etc.). The collective statement arrangements are not expressed solely through language, but also through the technological expression machines (Internet, telephone, television, etc.). Both arrangements are constructed in terms of the current relationships of power and desire.
The event turns away from historical conditions, in order to create something new: a new combination of bodies (actions and passions, which are strung together among the demonstrators, for example) and that which is expressed, the verbal statement as result, as effect of the corporeal combination: a different world is possible.
What is expressed (the meaning) does not describe the bodies nor represent them. The possible world exists completely, but it does not exist outside that through which it is expressed (the slogans, the TV reports, the Internet communications, the newspapers).
The event actualizes itself in souls in the sense that it generates a change in sensibility (as a non-corporeal transformation), which brings forth a new valuation: one recognizes what is intolerable about an era and the new possibilities for living that it implies.
The possible world has already been imbued with a certain reality through talking, through communicating, but this reality must now be completed, it must be made by making new corporeal arrangements.
The event constitutes the relationship between the two types of arrangements; it is the event that distributes the subjectivities and objectivities that will overthrow the configurations of bodies and signs.

Everyone came with their own corporeal machine and their own expression machine and returned home with the necessity of newly defining these in relation to that which was done and said. The forms of political organization (of the co-functioning of the bodies) and the statement forms (the theories and statements about capitalism, the subjects, forms of exploitation, etc.) are to be weighed and related to the event. Even the Trotskyists are compelled to ask: What happened? What is happening? What will happen? And to report what they do at the event (the organization) and what they say (the discourse they conduct).
At this point we see that the order of verbal statements is what is problematic. All are compelled to open themselves to the event, i.e. to open themselves up to the area of questions and answers. Those who hold answers prepared in advance (and there are many of those), miss the event. That is the political drama that we lived after 1968, missing the event, because the questions already had their predetermined answers (Maoism, Leninism, Trotskyism).
The event insists, which means it continues to have an impact, to produce effects: the discussions about what capitalism is and about what a revolutionary subject is today, are making good progress all over the world in light of the event.
Language, signs, and images do not represent something, but rather contribute to making it happen. Images, languages and signs are constitutive of reality and not of its representation.

Let us turn now to the question of how signs, images and statements are used by corporations in contemporary capitalism.
The corporation does not generate the object (the commodity), but rather the world in which the object exists. Nor does it generate the subject (worker and consumer), but rather the world in which the subject exists.
In contemporary capitalism, we must first distinguish the enterprise from the factory. Two years ago a large French multinational corporation announced that it would part from eleven production sites. This separation between enterprise and factory is a borderline case, but one that is becoming increasingly frequent in contemporary capitalism. In the majority of cases, these two functions are mutually integrated; we presume, however, that their separation is symbolic of a more profound transformation of capitalist production. What will this multinational corporation retain? What does it understand as "enterprise"? All the functions, all the services and all the employees that allow it to create a world: marketing, service, design, communication, etc.

The enterprise generates a service or a product. In its logic, the service or the product exists, just like consumers and producers, for its world, the world of the enterprise; the latter must be internalized in the souls and bodies of the workers and consumers. In contemporary capitalism, the enterprise does not exist outside the producers and consumers that give it expression. Its world, its objectivity and its reality mix with the relationships that the enterprise, the workers and the consumers have with one another.

 

Communication / Consumption

Let us start with consumption, because the relationship between supply and demand has been reversed: the customers are the pivotal point of the enterprise strategy. In reality, this definition from political economics does not even touch the problem: the sensational rise, the strategic role played in contemporary capitalism by the expression machine (of opinion, communication, marketing and thus the signs, images and statements).
Consumption is not reduced to the act of buying and carrying out a service or a product, as political economics and its criticism teach, but instead means, first of all, belonging to a world or a universe. Which world is this? It is enough to turn on the television or the radio, go for a walk in a city, buy a weekly or daily newspaper, to know that this world is constructed through a statement arrangement, through a sign regime, the expression of which is called advertising, and what is expressed (the meaning) is a prompt, a command, representing per se a valuation, a judgment, a view of the world, of themselves and others. What is expressed (the meaning) is not an ideological valuation, but rather an incentive (it gives signs), a prompt to assume a form of living, i.e. a way of dressing, having a body, eating, communicating, residing, moving, having a gender, speaking, etc. Television is a stream of advertising that is regularly interrupted by films, entertainment programs and news programs. According to the way Jean-Luc Godard depicts it, if you take out all the pages of a newspaper that contain advertising, it is reduced to the editorial by the editor-in-chief. And radio is just as much a stream of advertising and programs, in which it is increasingly difficult to distinguish where one begins and the other ends. Unfortunately, we must agree with Deleuze in his conviction that the enterprise has a soul, that marketing has become its strategic center, and that advertising specialists are "creative".

The enterprise exploits to its own advantage the dynamic of the event and the process of constituting difference and repetition by distorting them and making them dependent on the logic of enhanced value. For the enterprise the "event" means advertising (or communication or marketing). We will analyze this particular aspect of enterprise strategy in relation to the constitution of the consumers, its customers. Enterprises now invest up to 40% of their turnover in marketing, advertising, styling, design, etc. These investments in the expression machine can far surpass investments in "labor".

Advertising – like every "event" – first distributes modes of perception in order to prompt ways of living; it actualizes modes of affecting and being affected in souls, in order to realize them in bodies. With advertising and marketing, the enterprise effects incorporeal transformations (the slogans of advertising), which are stated through bodies and only through bodies. The incorporeal transformations first produce a change in sensibility (or that is what they would like to produce), a change in our way of making value judgments.
The incorporeal transformations have no referents, because they are auto-referential. There are no antecedent needs, no natural necessities that would satisfy production. The incorporeal transformations pose the valuations and their object at the same time that they produce them. Advertising represents the spiritual dimension of the "event", which the enterprise and the advertising agencies invent using images, signs and statements, and which must be realized in bodies. The material dimension of the event, its realization, is completed when the ways of living, ways of eating, of having a body, dressing, residing, etc. are incarnated in bodies: one lives materially among the goods and services that one buys, in the houses, among the furniture, with the objects and services that one has seized as "possible", in the flows of information and communication, in which we have submerged ourselves. We go to bed, we rush to do this and that, while that which is "expressed" continues to circulate (it "insists") in the hertz waves, in the telematic networks, and in the newspapers. It doubles the world and our existence as "something possible", which is, in fact, already a command, an authoritarian slogan expressing itself through seduction.
In which form does marketing produce actualization in the soul? Which type of subjectivation is mobilized by advertising?
The design of an advertisement, the concatenation and rhythm of the images, the soundtrack are organized like a kind of "ritornello" or a "whirlwind". There are advertisements that reverberate in us like a musical theme or a refrain. You have probably already been surprised to find yourself whistling a musical theme from advertising (it certainly happens to me, at least). The Leibnizian distinction between actualization in souls and realization in bodies is very important, because these two processes do not coincide and can result in completely unpredictable effects on the subjectivity of the monads.

The television networks recognize no national borders, no differences in class, status or income. Their images are received in non-Western countries or by the poorest classes of the Western population, who have little or no buying power.
The incorporeal transformations work well on the souls of the television viewers (of these countries, as well as on the souls of the poor in rich countries) by creating a new sensibility, because something possible certainly exists, even if not outside the medium of its expression (the television images). For what is possible, in this sense, it is enough to be expressed through a sign in order to have a certain reality, as Deleuze demonstrated to us. However, the realization in bodies, the possibility of buying and living with one's body among the services and goods that are expressed by the signs as possible worlds, does not always follow (and not at all for the majority of the world population), occasioning expectations, frustrations and rejection.
In conjunction with the observation of this phenomenon in Brazil, Suely Rolnik speaks of two subjective figures, which represent two extremes, in which the variations of the soul and the body are articulated, that are produced by the logic just described: the glamour of "luxury subjectivity" and the misery of "trash subjectivity". The West is horrified by the new "Islamic" subjectivities. But it has created this "monster" itself and specifically with the help of its most "peaceful", most seductive techniques. What we are facing here are not remnants of traditional societies in need of modernization, but in fact cyborgs that conjoin the "oldest" with the "most modern".

The incorporeal transformations happen first and faster than the corporeal transformations. Three quarters of humanity are excluded from the latter, but they have easy access to the former (first and foremost through television). Contemporary capitalism does not arrive first with the factories: these follow later, if at all. It first arrives with words, signs and images. And specifically these technologies precede not only the factories today, but also the war machine.

The event is an encounter and it is even a twofold one: one time it meets the soul, the other the body. This twofold encounter can make space for a twofold shift, because it is only one opening of possibilities in the modality of the "problematical". Advertising is only one possible world, a fold sheltering virtualities. Unfolding what is enveloped in it, unfolding the fold, can bring forth completely heterogeneous effects, because on the one hand they encounter monads, which are all autonomous, independent and virtual singularities. On the other – as we have seen in neo-monadological ontology – a different possible world is always virtually present. The bifurcation of divergent series haunts contemporary capitalism. Incompatible worlds unfold in the same world. For this reason, the capitalist process of appropriation is never closed in itself, but is instead always uncertain, unpredictable, open. "To exist means to differ", and this differentiation is newly uncertain, unpredictable and risky each time.

Capitalism attempts to control this bifurcation, which is virtually always possible through variations and continuous modulation: neither the production of a subject nor the production of an object, but rather subjects and objects in continuous variation guided by the technologies of modulation, which are in turn continuously varied.

Control is expressed in Western countries not only through modulating brains, but also through forming bodies (in prisons, schools and hospitals) and through life management ("workfare"). We would be doing our capitalist societies a favor, if we think that everything happens through the continuous variation of subjects and objects, through modulating brains and by means of the occupation of memory and attention by signs, images and statements. The control society integrates the "old" disciplinary dispositive. In non-Western societies, where disciplinary institutions and "workfare" are weaker and less developed, control immediately means the logic of war, even in times of "peace" (see Brazil, still).

The paradigmatic body of Western control societies is no longer represented by the imprisoned body of the worker, the lunatic, the ill person, but rather by the obese (full of the worlds of the enterprise) or anorectic (rejection of this world) body, which see the bodies of humanity scourged by hunger, violence and thirst on television. The paradigmatic body of our societies is no longer the mute body molded by discipline, but rather it is the bodies and souls marked by the signs, words and images (company logos) that are inscribed in us – similar to the procedure, through which the machine in Kafka's "Penal Colony" inscribes its commands into the skin of the condemned.
In the 70s Pasolini very precisely described how television had changed the soul and the body of the Italians, how it was the main instrument of an anthropological transformation that first and especially affected youth. He used practically the same concept as Tarde to describe the modalities of an effect of television at a distance: the impact of television is due to example rather than discipline, to imitation rather than coercion. It is the steering of behavior, the influence on possible activities. His film trilogy about bodies was rejected, because it did not take up this transformation. It still spoke of the body before the modulation of brains and, with regard to certain aspects, even before disciplinary societies.
These incorporeal transformations that come into our heads again and again like ritornelli, which are circulating all over the world at the moment, penetrating into every household, and which represent the real weapon for the conquest, the occupation, the seizure of brains and bodies – they are simply incomprehensible to Marxist theory and to economic theories. We face a change of paradigms here, which we cannot grasp starting from labor, from practice. On the contrary, it could well be that the latter supplies a false image of what production means today, because the process we have just described is the precondition for every organization of labor (or non-labor).

Images, signs and statements are thus possibilities, possible worlds, which affect souls (brains) and must be realized in bodies. Images, signs and statements intervene in both the incorporeal and the corporeal transformations. Their effect is that of the creation and realization of what is possible, not of representation. They contribute to the metamorphoses of subjectivity, not to their representation.

 

Translated by Aileen Derieg

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