Florian L., Axel H. und Oliver R. were arrested after they allegedly tried to set fire on military trucks, made by MAN-AG in Brandenburg/Havel. Today they had their first court-day...

Saturday, October 14, 2006

The?Soul?is an exhibition that looks at the ways power comes to act through the interior self, through a person’s mental and emotional life. In composing the exhibition, and in our discussions with the contributors, we were interested in how power is mediated socially, in how major manifestations of power are linked to the aesthetics of everyday life. the exhi­bition treats the aesthetic dimension as a con­tested bridge between the psyche – a sub­jective entity – and the objective structures of a society.

Dictionary of War 6th Edition Gwangju September 4-6 2008

Dictionary of War 6th Edition Gwangju September 4-6 2008

Dictionary of War 6th Edition Gwangju September 4-6 2008

Dictionary of War 6th Edition Gwangju September 4-6 2008

Dictionary of War 6th Edition Gwangju September 4-6 2008

Dictionary of War 6th Edition Gwangju September 4-6 2008

Dictionary of War 6th Edition Gwangju September 4-6 2008

Dictionary of War 6th Edition Gwangju September 4-6 2008

Dictionary of War 6th Edition Gwangju September 4-6 2008

Dictionary of War 6th Edition Gwangju September 4-6 2008

An associative and casual listening session to examples of shaabiyat tracks produced and distributed in Cairo over the past three years. Khan will discuss how the taboo becomes totem, the self hysterically claims a space, and aggression and paranoia become productive cultural operations, his evidence a collection of tracks that he finds to be the most interesting, surprising, and exciting cultural product to come out of his home town for a very long time. Dictionary of War 6th Edition Gwangju September 4-6 2008

We could find a definition for the word "continuity" as such: "A detailed script or scenario consulted to avoid discrepancies from shot to shot in a film, allowing the various scenes to be shot out of order." While all possible kinds of "wars" are going on in the world all "possible details" disappear. But details are the bridge towards what makes life more real and interesting. By disappearance of the detail, absurdity evolves in reality and the aspire to continuity is a strong contest around this absurdity. Dictionary of War 6th Edition Gwangju September 4-6 2008

The book, published by MIT press in 2006, was edited by Basar and Miessen, both PhD candidates at Goldsmiths' Centre for Research Architecture. The book also feature many other members of the centre. The selection by the INDEPENDENT was announced on May 2008. The introduction includes the following lines: "The newly established Centre for Research Architecture at Goldsmiths College, London, is in a sense a pedagogical manifestation of the impetus of the book you are now reading.

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Anja, Tautvydas and Sören - participants of the Youth Organizing Institute 2008 in Kragujevac - talking about the situation in the countries they live in concerning similar and different kinds of discrimination in society. Besides that they inform about their approaches to research on these topics and how they organize themselves in the struggle for another society. http://www.youthorganizing.net The Youthorganizing Institute is a yearly meeting of young researchers and activists, theorists and artists from the wider south-eastern europa and beyond to discuss experiences and analysis of the

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After a major upgrade last night the KEIN mail server is availaible again. It took a littler longer to rboot the system, apologies for the inconvenience! In case you have questions please contact us: http://kein.org/contact

The attached is a brochure from the BFI's DVD release of 'London' and 'Robinson in Space.'
It contains Iain Sinclair's essay: 'London: Necropolis of fretful ghosts' and a conversation between Patrick Keiller and Patrick Wright

Since its invention, the cinema has offered glimpses of what Henri Lefebvre described, in another context, as ‘the preconditions of another life’.1 As the most extensive way of reconstructing experience of the world, it was also the most extensive way of getting out of it, and into another one. It's not surprising that so much of cinema was created by, and to some extent for, people with first hand experience of emigration.

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