RESEARCH ARCHITECTURE: A Laboratory for Critical Spatial Practices

Paradoxically perhaps, the Centre for Research Architecture sets out to question the two separate terms that make up its given title. It seeks to open up the discipline and praxis of 'architecture' – understood as the production of rarefied buildings and urban structures – into shifting network of 'spatial practices' that includes various other forms of intervention. It contests as well the utilitarian, applied, means-to-ends relation between knowledge and action that is evoked by the term 'research' and the artificial opposition between theory and practice it implies. Drawing on the vocabularies of urbanism, architecture, art, media, politics and philosophy the centre’s mode of operation seeks to use spatial practices for an open ended form of critical inquiry. The centre has brought together a group of leading international practitioners – architects, artists, activists, urbanists, filmmakers and curators – to work collectively in a roundtable mode on individual projects. This network of global practitioners engage in a unique and robust set of critical interventions in the fields of spatial and cultural politics; they look for enhanced political impact using critical theory and aesthetics startegies, dealing with the built environment through documentary filmmaking, media activism, art and curating in various places worldwide; as such the centre is a horizontal platform to develop ideas and projects among peers. It is an experimental form of pedagogy that capitalises on the knowledge-basis of the group member themselves as well as on guest seminars by leading thinkers and practitioners. The programmes recruit graduates of a range of fields as well as non-academic practitioners of distinctions wishing to pursue critical spatial practice in the context of theoretical work. http://www.goldsmiths.ac.uk/architecture

Christophe Golay: The global food crisis, the Right to Food and Rights of Peasants

In these two articles, Christophe Golay provides insights into the deep causes and effects of the ongoing global food crisis, and outlines the contribution of the Right to Food and the emerging Rights of Peasants in addressing them.

Melik Özden: THE HUMAN RIGHTS COUNCIL AND ITS MECHANISMS

This report presents the Human Rights Council and its mechanisms, sheds a critical light on its workings to date and explores some of the misgivings concerning its future.

The Architecture of Human Rights - Geneva Seminar, 10th - 12th of June 2010

Geneva is a key location in the “international architecture” of global management – the complex set of institutions, legislations, discourses and practices created to govern International relations according to "universal" principles. This three-day seminar will take advantage of this location to probe the complex politics of Human Rights and International Law, and of the institutions set to shape, monitor, enforce them, such as the Human Rights Council (which will be holding its 14th session at the time of our seminar) and UN agencies.

Jacques Rancière: Who is the Subject of the Rights of Man?

"The Rights of Man are the rights of the demos, conceived as the generic name of the political subjects who enact—in specific scenes of dissensus—the paradoxical qualification of this supplement. This process disappears when you assign those rights to one and the same subject. There is no man of the Rights of Man, but there is no need for such a man. The strength of those rights lies in the back-and-forth movement between the first inscription of the right and the dissensual stage on which it is put to test."

Etienne Balibar: What is a Politics of the Rights of Man?

In this text Etienne Balibar claims that a politics of Human Rights in the strong sense is in the struggle for the actual making of Human Rights, rather then in their defense in face of violation.

A. Mbembe: African Modes of Self-Writing

"Over the past two centuries, intellectual currents have emerged whose goal has been to confer authority on certain symbolic elements integrated into the African collective imaginaire. Some of these trends have gained a following, while others have remained mere outlines. Very few are outstanding in richness and creativity, and fewer still are of exceptional power. [...] I propose ways out of the dead end into which they have led reflection on the African experience of self and the world.

Judith Butler: Torture and the Ethics of Photography

"... interpretation is not to be conceived restrictively in terms of subjective act. Rather, interpretation takes place by virtue of the structuring constraints of genre and form on the communicability of effect - and so sometimes takes place against one's will or, indeed, in spite of oneself. Thus, it is not just that the photographer and/or the viewer actively and deliberately interpret, but that the photograph itself becomes a structuring scene of interpretation - and one that may unsettle both maker and viewer in its turn"

Didier Fassin: The humanitarian politics of testimony

The witness has become a key figure of our time, whether as the survivor testifying to what he has lived through or as the third party telling what he has seen or heard. Publicly bearing witness of suffering and injustice is precisely what departs the first (International Red Cross) and second (Doctors without Borders, Doctors of the World) ages of humanitarianism. Based on an etymological inquiry of the word in Greek and

Michael Taussig: The Devil and Commodity Fetishism in South America

"in the sugar-cane plantations of the Cauca Valley and in the tin mines of highland Bolivia it is clear that the devil is intrinsic to the process of the proletarization of the peasant and to the commoditization of the peasant's world. (...) The neophyte proletarians and their surrounding peasant kinsman understand the world of market relations as intimately associated with the spirit of evil. Despite all possibilities of increasing their cash incomes, they still seem to view this mode of production as productive of barrenness and death as well.

Pierre Clastres: Society Against the State

"Hence, it’s the political break that is decisive, and not the economic transformation. The true revolution in man’s history is not the Neolithic, since it may very well leave the previously existing social organization intact; it is the political revolution, that mysterious emergence – irreversible, fatal to primitive societies – of the thing we know by the name of the State. And if one wants to preserve the Marxist infrastructure and superstructure, then perhaps one must acknowledge that the infrastructure is the political, and the superstructure is the economic.

Against Architecture

Against Architecture (notes on the Amazon Frontier): By 1989, the rampant destruction of the rain forest in the Amazon basin had reached international media attention and became one of the paradigmatic questions that forced the introduction of environmental issues into the official agenda of global politics.

Fred Moten and Stefano Harney : Policy

Policy

Let's get together, get some land
Raise our food, like the man
Save our money like the mob
Put up the factory on the job

James Brown, “Funky President”

"Legal Spaces of Empire: Piracy and the Origins of Ocean Regionalism" Lauren Benton

Law comprises a particularly important part of the social construction of territory and region. This function of the law is often obscured by an enduring emphasis on the study of legal systems that appear more or less coterminous with political jurisdictions. But legal practices crossed boundaries and helped to constitute legal cultures of unruly dimensions. In empire, law traveled with legal officials and also with merchants, sailors, soldiers, sojourners, and settlers.

CINEMATIC SPACE SESSIONS

This is a five week series of films that were selected due to a research on how cinematic space is constructed and with
which means the filmic space relates and correlates with the construction of social space. This selection of films wants to
draw attention to architecture‘s performative aspect and the space that is constructed in visual media. „The space that
appears in the image (…) is concrete and not abstract or purely mathematical space. And it is (…) to a certain degree,

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